New Releases
Frank Sinatra Vol. 4
YSL 1566 78..
TENNSTEDT Vol. 74
YSL 1568 T..
Raretés américaines Vo. 20
YSL 1720 T..
Otello 1972
YSL 1745 T..
Iphigénie en Tauride 1959
YSl 1746 T..
Carmen 1978
YSL 1747 T..
Ariadne auf Naxos 1969
YSL 1750 T..
Don Giovanni 1951
YSL 1753 T..
André Sébastien Savoie Vol. 2
YSL 1771 T..
Maureen Forrester Vol. 14
YSL 1793 T..
Jasha Horenstein Vol. 19
YSL 1810 T..
Oskar Fried Vol. 4
YSL 1826 78..
Celibidache Vol. 20
YSL 1835 T..
Roger Désormière Vol. 12
YSL 1845 T..
The French Broadcasting System in North America Vol. 2
YSL 1866 33..
Festival de Prades Vol. 14
YSL 1881 T..
Leonard Bernstein Vol. 16
YSL 1891 78..
KARAJAN Vol. 44
YSL 1895 T..
Benno Moiseiwitsch Vol. 2
YSL 1896 78..
Shura Cherkassky Vol. 6
YSL 1906 78..
Vlado Perlemuter Vol. 25
YSL 1875 T..
Important
notice for US customers:
Following
further verification, and until further notice, additional customs duties do
not apply to St-Laurent Studio products. Physical CDs can once again be shipped
to the United States.
Important
notice for certain European countries:
Postal
shipments to France, Luxembourg, Austria and Germany are currently suspended.
Therefore, only the download option is available for these countries at this
time.
We hope
the situation returns to normal soon.
No filtering, exact speed, appropriate needle, re-centering for
absolute stability. When all the frequencies are preserved, the results
bring out incredible musicality and presence, a true feeling of live
performance. The instrumental and interpretative genius of the greatest musicians of the past is finally revealed.
Click here to see delivery costs by quantity and region
All prices are in Canadian Dollar ($ CAN)...
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DOWNLOAD IS NOW AVAILABLE !!!!!
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YSL 78-203 & 78-214 - Adolf Busch Vol. 1 & 2
“Lovers of chamber music should waste no time in acquiring [the above] for they are gems of the first order – not only for the performances, but [also] for the excellent transfers. Much care has been lavished on them by Yves St-Laurent who corrects speed and pitch, recenters the 78s, manually removes the most intrusive ticks and pops, and most importantly uses no filters so there is no loss of whatever frequencies and detail are to be found in the grooves…. astonishingly lifelike, though the recordings are three quarters of a century old….The ‘Kreutzer’ Sonata is quite simply one of the finest performances of the work ever committed to disk. It is fiery, brilliant, and a true partnership of equals. It also keeps rather strict time, which adds immeasurably to the momentum; indeed, it makes one realise how much the rhythm is pulled about by many other performers… Do not miss these beautifully restored and immensely rewarding recordings.”
- Tanya Tintner, Classical Record Quarterly, Autumn, 2014
Video of the interview with Patrick Masbourian
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