No filtering, exact speed, appropriate needle, re-centering for absolute stability. When all the frequencies are preserved, the results bring out incredible musicality and presence, a true feeling of live performance.  The instrumental and interpretative genius of the greatest musicians of the past is finally revealed.

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YSL 78-203 & 78-214 - Adolf Busch Vol. 1 & 2

“Lovers of chamber music should waste no time in acquiring [the above] for they are gems of the first order – not only for the performances, but [also] for the excellent transfers. Much care has been lavished on them by Yves St-Laurent who corrects speed and pitch, recenters the 78s, manually removes the most intrusive ticks and pops, and most importantly uses no filters so there is no loss of whatever frequencies and detail are to be found in the grooves…. astonishingly lifelike, though the recordings are three quarters of a century old….The ‘Kreutzer’ Sonata is quite simply one of the finest performances of the work ever committed to disk. It is fiery, brilliant, and a true partnership of equals. It also keeps rather strict time, which adds immeasurably to the momentum; indeed, it makes one realise how much the rhythm is pulled about by many other performers… Do not miss these beautifully restored and immensely rewarding recordings.”

- Tanya Tintner, Classical Record Quarterly, Autumn, 2014

Video of the interview with Patrick Masbourian       
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